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Aine Scannell
Rainbow House - Gold ink on  Hahnemuhle paper (etch on aluminium)  with copper hard ground etch, chine colle and collagraph.
Size 20x24x14 cm, Edition variable:  2
Stitches - Relief print on muslin fabric, polyfibre filling. Red wood threaded through a darning needle is stuck into the piece.
Size: 34x30x6 cm, Edition variable :  2
 
Precious earth - Trace monotype - inkjet chine colle. Size: 38.5x53cm, Only available as a reproduction ( size 33 x 48 cm ) on archival paper etc.
 
Always with Me - Collagraph and inkjet,
Size: 25x20cm, Edition :  artists proof
Obdurate Heart- Inkjet archival pigment ink with intaglio emboss, Size: 33x48cm, Edition: 12
 
Catalan Birdsong- Polymer spit bite with copper etching and chine colle. Unique print,
 Size 30 x 35 cm, Reproduction available
“Attico II”- zinc acrylic resist etching and collagraph with inkjet chine colle,
Size 34 x 30 cm. Edition : 12
“Inside the Ice” - Copper etching, aluminium foil monotype plate , collagraph and offset,
Paper size 20 x 28 cm, Unique print
“Refugee III”  - Collagraph,  offset chine colle/ inkjet chine colle. Size: 30x30cm,
Edition: monoprint (unique)
“Departure”- Aquatint, stencil and rubber stamp.  Original unique print (which was 6 x 10 cm) was  lost in postal system.
Size: 10 x 15 cm ,
Only available as a reproduction.
Night House - Relief rolled and Collograph, Size: 20x24x14 cm, Edition: Artist Proof,
“Healing Chamber” - inkjet with intaglio emboss on Hahnemuhle,
33 x 48 cm paper size, Edition 12,
GALLERY
Aine Scannell b; 1957 
 B.A. Hons Fine Art. Univ Middlesex London UK M.F.A. European Fine Art, Winchester sch. art, Barcelona, (Univ Southampton UK) Post graduate Printmaking Wimbledon College of Art, Univ of the Arts London.(2000) “I make works that are both autographic and that are somewhat appropriated. I believe that once I take a visual form, from its original context, and go on to edit it – it becomes my own. The Internet has opened up the world to me like a huge book and I love it. Through my intentions and inventions I transform it, to communicate another meaning. It is like a language, which holds a message. Through the printmaking matrix (whatever it’s material constitution) I produce a form that has my own autographic connotation or signature. Often I will combine images (or parts thereof) together, like a kind of visual geneticist, breeding new forms. I like to reference anatomical visuals as well as animal forms. Through the process of printmaking/ interaction with a matrix e.g., inscribing, chemical reactions, or digital manipulation all kinds of interesting things happen and are possible, which is why I like to explore the possibilities with surfaces/materials, both old and new. Art as far as I am concerned has to connect to the personal; to our experience of being alive in this world. This is evidenced by a continuous evolution of hybrid autographic forms that represent different aspects of the undisclosed ‘self’.” Selected Exhibitions 2010 - 2nd. Penang International Print Exhibition, Penang State Art Gallery, Malaysia. / “Matrices” Elektrografia, Karinthy
D-Yard Gallery 1075 Budapest, Hungary. / 7 th International Triennial of Small Graphic Forms, Vilnius, Lithuania. / 5th International Digital Miniprint Exhibition, Ottawa Canada. / 1st International Print Exhibition, Mark Graver (curator), Art at Wharepuke, New Zealand. / The Last Book , collab install. Proj. curated by Luis Camnitzer ; Daros Museum , Zürich, Switzerland. / ”Llyfr 'n Fywydol” Museum of Modern Art Wales, Machylleth, United Kingdom / Bimpe V, 2010 International - selected miniprints exhibition,Canada. / Eutopia, Culture Inside, Centre Culturel de Rencontre L-2160 Luxembourg. / “A Book about Death” curator Matthew Rose, Museu Brasileiro da Escultura , São Paulo – Brasil. / Hong Kong Graphic Art Fiesta International - L1 Gallery, Jockey Club Creative Arts Cent , Shek Kip Mei Kowloon., Website: http://www.ainescannell.com http://www.ainescannell.comshapeimage_5_link_0